Clay sculptures,

trinitite glass,

silver gelatine prints,

video

2022

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No One Will Stop the Wind examines nuclear technologies and their planetary consequences through the lens of time. Combining documentation and fiction, the work collapses past, present, and speculative futures.

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Sculptures made of unburned clay and Trinitite—glass formed during the first nuclear test in 1945—materialize nuclear time as something carried from the past into an irreversible future.

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A photographic triptych imagines Earth’s final moment, referencing the nuclear shadows of Hiroshima and Nagasaki through darkroom exposures lasting a fraction of a second.

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The video presents CCTV footage of the Russian attack on the Zaporizhzhia nuclear power plant in 2022, confronting the limits of how catastrophe beyond human scale can be measured. While media speculate on how long would it take to recover after the potential disaster—comparing it to Fukushima or Chernobyl—the work asks: how can we measure the scale of something that exceeds human imagination?